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“Thank goodness for Anna Ziegler, the brilliant playwright who has little regard for our need for facile solutions, and in Actually…delivers what could very well be the play of the season.” – Talkin’ Broadway “Richly layered…its characters crafted with compassion, intelligence and insight…Ziegler writes dialogue that is equal parts humor and poignancy…It is not to be missed.” – Theatermania
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“ Actually…fearlessly broaches the subject of when sex becomes rape, and challenges audiences to think through a complex moral dilemma as facts unfold in a way that upsets attempts at clear-cut decision making…Ziegler’s script is electrifying, full of vibrant language and emotion… Actually is absolutely compelling theater–suspenseful, easy to be swallowed up by… Actually knocks it out of the park. will likely take its place as one of the emblematic plays of our time in the way that classics like Death of a Salesman and The Heidi Chronicles were of theirs.” – Lavender Magazine “So brilliantly calibrated that, by the end of its 90 minutes, you’ll have flip-flopped more times than a politician…With Tom and Amber, has given us two, and delineated both with such empathy that we feel less outraged than sad by how their budding relationship has been destroyed by one night of sodden stupidity.” – The Globe and Mail “Compelling…Ziegler vividly the complexities and intensities of social interactions and self-performance today among young people. Actually is one of the best two-person plays I’ve seen in quite a long time.” – Washington City Paper “A landmark play about sex and recollection…Go see it. Difficult to dismiss.” – The Washington Post “As it empathetically pries open the heads and hearts of its two fragile characters, Ziegler’s play powerfully indicts university culture…Openhearted and intellectually curious.
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“**** CRITIC’S PICK! Psychologically complex and politically charged, with energy and urgency…Ziegler’s meticulously detailed script is more than occasionally funny, despite its serious themes.” – Time Out NY In moments, it’s even revelatory.” – New York Magazine There is brightness in this play, and in these people, and to see its sparks overwhelmed by such fearful and familiar shadows is shattering. “… taut, devastating play… a smart, profoundly painful exploration of murky, treacherous sexual culture… Actually’s great strength, and its great heartbreak, is that it allows us to see both Amber and Tom so fully… Actually’s wit and its intelligence are part of what makes the complex darkness at its center hit so hard. Ziegler’s riveting new drama…creates a portrait of a generation…With consummate skill, the playwright assembles intricate jigsaw puzzle.” – The Boston Globe
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Harold Green / Obsidian Theatre Company, Toronto (September 2019) Trafalgar Studios, London, UK (August 2019) Minnesota Jewish Theatre Company (February-March, 2019) GableStage, FL (November-December, 2018) San Diego Rep, CA (October-November, 2018)
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Theater J, Washington DC (October-November, 2018) Aurora Theatre, Berkeley, CA (March-May, 2019) Theaterworks, Hartford, CT (May-June, 2019) The Manhattan Theatre Club, 2017 (Directed by Lileana Blain-Cruz) The Williamstown Theatre Festival, 2017 (Directed by Lileana Blain-Cruz) The Geffen Playhouse, Los Angeles, 2017 (Directed by Tyne Rafaeli) They agree on the drinking, they agree on the attraction, but consent is foggy, and if unspoken, can it be called consent? With lyricism and wit, Actually investigates gender and race politics, our crippling desire to fit in, and the three sides to every story. “Every single thing leads to everything else…” Amber and Tom, finding their way as freshmen at Princeton, spend a night together that alters the course of their lives.